Art style: Realistic cinematic documentary. Gloved hands use a plastic spreader to apply a thick layer of pink body filler over the hood of the car. The filler is smooth and opaque, covering the metal's imperfections. The background is the gray primer of the car's body. The lighting is soft and even, showing the texture of the paste. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Realistic cinematic documentary" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Realistic cinematic documentary". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Realistic cinematic documentary" idiom, not in any other medium. Character appearance reference (MUST match exactly): - The Mechanic: Strong rule: style --- Realistic cinematic documentary ---. First-person point of view showing only the hands and arms of a male mechanic. He wears black nitrile gloves and a heavy-duty black tactical work jacket with patches on the sleeves. His movements are precise and deliberate. The lighting is harsh and natural in the junkyard, transitioning to bright, clinical, and high-contrast in a professional automotive workshop. His gear includes a chest-mounted camera rig and a wrist-mounted tool controller. He represents a modern, high-tech approach to classic car restoration, blending grit with extreme precision.
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