Art style: Cinematic Realistic 3D. A macro shot of the sonar display screen, showing a high-resolution wireframe rendering of the object discovered beneath the ocean floor. The object is a colossal, perfect octahedron, its surfaces impossibly smooth and its edges razor-sharp, partially buried in the jagged, irregular silt of the seabed. The screen is an older CRT model, with visible scanlines and a slight curvature to the glass. The image on the screen is rendered in shades of luminous green and deep black, with data readouts and coordinates scrolling rapidly down the side. The reflection of the bridge's dim amber lighting is visible on the surface of the glass, creating a layered, complex image. In the background, the blurred shapes of Knox and Morrow are visible, their forms hunched over the display in intense focus. The mood is one of profound, world-altering discovery and chilling realization. The textures include the microscopic dust on the monitor screen and the digital noise of the sonar feed. The color palette is a haunting mix of electronic green, deep charcoal, and a hint of warm amber. The composition is a tight, centered shot that fills the frame with the alien geometry of the anomaly. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Cinematic Realistic 3D" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Cinematic Realistic 3D". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Cinematic Realistic 3D" idiom, not in any other medium.
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