Art style: Cinematic Realistic 3D. A medium shot of Dr. Evelyn Morrow standing across from Agent Knox at the archive table. She is holding a thick, manila folder and placing a fresh stack of sketches onto the wood. Her expression is perfectly neutral and controlled. Her white lab coat stands out against the dark, shadowy archive room. Knox is visible in the foreground, his back partially to the camera, looking down at the new evidence. The table is a chaotic spread of documents, magnifying glasses, and analog recording equipment. The lighting is harsh rim-light from a secondary source, highlighting the silver in Morrow's hair and the sharp edges of her lab coat. The atmosphere is tense and claustrophobic, with heavy shadows filling the corners of the room. The color palette consists of clinical whites, deep navy blues, and the warm sepia of the old documents. Micro-details include the fine texture of the lab coat fabric, the metallic glint of Morrow's ID badge, and the subtle reflection of the room in Knox's dark gloves. Volumetric fog swirls around their feet in the low-light areas. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Cinematic Realistic 3D" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Cinematic Realistic 3D". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Cinematic Realistic 3D" idiom, not in any other medium.
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