Image - 2026-08-30 12:42

Photorealistic interior photography of the SAME bedroom as in the source image. Identical viewpoint, identical perspective, identical camera height, identical framing, identical room geometry and identical architecture. NOTHING is moved, resized, added or removed except where stated below. 1. WALL COLOUR AND ATMOSPHERE — KEEP THE WARM MOOD The painted walls keep a soft warm cream tone with a gentle coffee-cream undertone, approximately #EFE6D3: creamy and inviting, warmer than neutral beige but calmer than the current buttery yellow. Slightly less yellow, slightly more milky-coffee. The warm cove lighting above the wood panel stays fully on and keeps washing the walls with its warm glow — this warmth is wanted. The walls should read as a cosy cream interior, not as a colour swatch. Matte paint finish. No lemon yellow, no vanilla, no mustard, no orange, no pink, no grey, no cold cast, no gloss. 2. FLOOR SKIRTING — IVORY The skirting along the base of the walls changes to soft ivory, approximately #EFE6D2: a warm pale off-white with a gentle creamy undertone, matte finish. It keeps its exact current position, height and profile, and stays slightly lighter and cleaner than the walls above it. No bright white skirting, no grey skirting, no wood skirting, no gloss. 3. SCONCES AND SWITCH PLATES — MAKE THEM SYMMETRICAL The left side of the bed is CORRECT and is the reference. The right side must mirror it exactly. — Both wall sconces sit at exactly the same height above the floor, at exactly the same distance from the centre of the bed, and at exactly the same distance from the edge of the wood panel. Same fixture, same size, same brass finish, same warm glow, perfectly mirrored left and right. — Both switch plates sit at exactly the same height above the floor, directly below their sconce, at exactly the same distance from the centre of the bed. Same size, same slim matte black frame, sitting flat and square against the wood, clean straight edges, realistic thickness, soft natural shadow beneath. The composition must be perfectly symmetrical about the centre line of the bed. PRESERVE EVERYTHING ELSE EXACTLY AS IN THE SOURCE IMAGE — The oak chevron panel keeps its exact width, height, position, pattern, joint lines and warm light oak colour, wall to wall behind the bed. — The two floating nightstands keep their exact position, size and greige finish. — The bed, upholstered headboard, quilted bedspread, lilac throw and all cushions keep their exact positions, shapes and colours. — The rug, the wood floor, the ceiling and the wooden frame on the left wall keep their exact colours and positions. LIGHTING Keep the lighting exactly as it is: warm cove light along the top of the panel, warm glow from both sconces, soft ambient fill. Warm inviting atmosphere, gentle open shadows, balanced exposure, no blown highlights, no harsh contrast, no added light sources. --no changed geometry, changed framing, shifted perspective, cropped composition, changed room proportions, asymmetrical sconces, sconces at different heights, sconces at different distances, misaligned switch plates, switch plates at different heights, floating plates, tilted plates, oversized plates, moved nightstands, resized nightstands, moved bed, recoloured wood panel, tinted panel, changed panel pattern, white skirting, grey skirting, dark skirting, wood skirting, yellow walls, lemon walls, vanilla walls, mustard walls, orange walls, pink walls, grey walls, cold walls, white walls, saturated colour, glossy walls, flat even lighting, removed cove light, cold daylight, changed bedding colours, added decor, added plants, added pictures, people, tilted verticals, converging walls, blown highlights, HDR look, cartoon, CGI look, blurry textures