Image - 2026-06-14 07:32

A polished studio concept art board — a single composite page that reads as a high-end pre-production pitch deck for an animated short. NOT a vintage pencil sketch, NOT a finished movie frame, but a polished concept page in the visual treatment described below. Layout: TOP HEADER (left): bold modern display typography for the title "Городская походка Клеопатры", with a small stylised glyph next to it (sparkle, comet, or motif matching the visual treatment). Below in smaller crisp print: "OPENING SEQUENCE • DRAFT • 3D PIXAR". TOP HEADER (right): a tidy "CHARACTER LINEUP" sub-heading set in the same typography. CENTER GRID: 4 numbered storyboard panels in a 3-column grid. Each panel is a softly rounded card with a thin warm-grey border and a delicate drop shadow (studio pre-prod board look). Inside every panel: a finished miniature of the action — rendered in the visual treatment described below. Top-left of each panel a small bold numbered tab (01, 02, 03…) and bottom-right an "X.Xs" timing tab — both set in clean modern typography (NOT hand-lettering). Panels: Panel 01 (3s): Оживленный городской тротуар, выложенный серой плиткой, в лучах заходящего солнца. На заднем плане видны размытые силуэты зданий и вывески кафе. Клеопатра идет по центру кадра, ... Panel 02 (4s): Угол старого кирпичного дома с кованым фонарем, отбрасывающим мягкий свет. Барс и Рыжик стоят у стены, увлеченно беседуя и жестикулируя. Клеопатра входит в кадр слева, направляя... Panel 03 (4s): Крупный план момента столкновения на фоне размытых городских огней. Плечо Клеопатры плотно соприкасается с плечом Барса, заставляя его немного покачнуться. Лицо Клеопатры сохран... Panel 04 (4s): Просторная городская площадь с фонтаном на заднем плане, освещенная яркими прожекторами. Клеопатра стоит в центре, приняв эффектную позу: одна лапа на талии, голова слегка накло... RIGHT SIDEBAR (about 22% of page width): character model sheets. For each character below, render 3-4 polished turnaround sketches — front view, three-quarter view, profile, and a dynamic action pose — each in the visual treatment described below. Character name set in crisp modern typography above each set: Клеопатра — кошка ходит на двух лапах, антропоморфная Барс — Массивный антропоморфный серый полосатый кот с широкими плечами и серьезным выражением морды. Одет в простую серую толстовку с капюшоном ... Рыжик — Ярко-рыжий антропоморфный кот среднего роста с пушистым хвостом и любопытным взглядом. На нем надета клетчатая рубашка поверх белой футбо... BOTTOM STRIP: a horizontal timeline ruler with seconds markings (0, 5, 10, 15… up to total duration), tick marks aligned to the panel durations above — clean vector look, not hand-drawn. Below the ruler, a tidy notes row: STORY / FLOW • ANIMATION • TIMING & RHYTHM • CAMERA — each with 2-3 short polished bullet points in crisp typography (you can invent plausible production notes from the story). VISUAL TREATMENT FOR PANELS AND CHARACTER LINEUP (THIS IS THE CRITICAL PART): hyper-stylized cartoon 3D feature animation in the manner of Pixar — huge expressive eyes, soft sub-surface scattering on skin/fur, warm golden-hour key light, painterly bokeh backgrounds, smooth volumetric forms, glossy material highlights, warm coral and golden accents. OVERALL STYLE: high-end studio mood-board page with the visual treatment above carried through every panel and every character render consistently. Clean modern typography, soft drop shadows on cards, occasional smooth-gradient accents in the margins (sparkles, stars, arrows). NO aged-paper look, NO hand-pencil sketches, NO mixed styles — every miniature on this page is rendered in the same single visual treatment described above. This is a polished pre-production concept page, finished enough to pitch in a studio review meeting.